Aoi Kotsuhiroi # Exotic Regrets
A spider web to hold dreams.
A parasol to watch shadow sleeping.
A river of dust to see time disappear.
Watching the night growing.
Walking in silence.
Aoi Kotsuhiroi
Exotic Regrets. The Poetry, of Ancientness. Poesia anacronistica tra percezioni anteriori e contemporanee.
Il lento fruscio dei capelli nel vento, il passaggio di un oggetto di mano in mano, movimenti sinuosi di materie attraverso la percezione temporale, l'eleganza di lontane movenze affievolite nel tempo, così vivide tutt'ora, riaffiorano dall'antichità, come uno spirito.
Aoi Kotsuhiroi concepisce Exotic Regrets, seguendo quella che è un attenta ricerca di due prospettive così lontane nel loro genere ma ancora a contattato, dove passato e presente sono perfette omologazioni dello scorrere di epoche differenti, dove design moderno e concezioni passate si incontrano.
L'utilizzo del materiale è simbolico, carico di una forza primitiva, così forte e vivida tutt'ora, ogni pezzo è unico nel suo genere; l'impiego di materie come filo di seta, capelli umani, crine di cavallo, antichi rosari buddisti, legno di ciliegio, antica pelle d'elefante, pelle di bufalo, antichi tessuti e cimeli risalenti all'epoca romana, possiedono l'energia di far riaffiorare l'essenza di civiltà diverse tra loro, oggetti che nel loro piccolo possiedono una forza mistica, ognuno padrone di una propria storia, cancellata dallo scorrere del tempo, che forse a noi non è data a sapere.
Aoi Kotsuhiroi conceives Exotic Regrets, following what is a careful search for two prospects so far in their way but still in contact, where past and present are perfect approvals of the rushing of different ages, where modern design concepts and past meet.
The symbolic use of the material is loaded with a primitive force, so strong and vivid still, each piece is unique, the use of materials such as silk thread, human hair, horsehair, ancient Buddhist prayer beads , cherry wood, old elephant skin, buffalo skin, ancient textiles and relics dating back to Roman times, have the energy to bring out the essence of civilization different from each other, in their small objects that have a mystical force , each master of its own history, erased by time, that maybe we is not given to know.
Il lento fruscio dei capelli nel vento, il passaggio di un oggetto di mano in mano, movimenti sinuosi di materie attraverso la percezione temporale, l'eleganza di lontane movenze affievolite nel tempo, così vivide tutt'ora, riaffiorano dall'antichità, come uno spirito.
Aoi Kotsuhiroi concepisce Exotic Regrets, seguendo quella che è un attenta ricerca di due prospettive così lontane nel loro genere ma ancora a contattato, dove passato e presente sono perfette omologazioni dello scorrere di epoche differenti, dove design moderno e concezioni passate si incontrano.
L'utilizzo del materiale è simbolico, carico di una forza primitiva, così forte e vivida tutt'ora, ogni pezzo è unico nel suo genere; l'impiego di materie come filo di seta, capelli umani, crine di cavallo, antichi rosari buddisti, legno di ciliegio, antica pelle d'elefante, pelle di bufalo, antichi tessuti e cimeli risalenti all'epoca romana, possiedono l'energia di far riaffiorare l'essenza di civiltà diverse tra loro, oggetti che nel loro piccolo possiedono una forza mistica, ognuno padrone di una propria storia, cancellata dallo scorrere del tempo, che forse a noi non è data a sapere.
Fonte Immagini: Aoi Kotsuhiroi
Aoi Kotsuhiroi # Exotic Regrets
A spider web to hold dreams.
A parasol to watch shadow sleeping.
A river of dust time to see disappear.
Watching the growing night.
Walking in silence.
Aoi Kotsuhiroi
Exotic Regrets. The Poetry of Ancientness. Poetry anachronistic perceptions between earlier and contemporary.
The slow rustle of wind in the hair, the passage of an object from hand to hand, sinuous movements of materials through the perception of time, the elegance of movements faded away over time, still so vivid, resurface ancient times, as a spirit.Aoi Kotsuhiroi conceives Exotic Regrets, following what is a careful search for two prospects so far in their way but still in contact, where past and present are perfect approvals of the rushing of different ages, where modern design concepts and past meet.
The symbolic use of the material is loaded with a primitive force, so strong and vivid still, each piece is unique, the use of materials such as silk thread, human hair, horsehair, ancient Buddhist prayer beads , cherry wood, old elephant skin, buffalo skin, ancient textiles and relics dating back to Roman times, have the energy to bring out the essence of civilization different from each other, in their small objects that have a mystical force , each master of its own history, erased by time, that maybe we is not given to know.
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EliminaA.
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A.
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EliminaA.
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EliminaA.
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EliminaA.
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kiss kiss
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Arte pura.
EliminaA.
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EliminaA.
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EliminaA.
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S xx
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EliminaA.
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RispondiElimina