Masaya Kushino # Fall Winter 2012 2013
"I tried working with a factory several times, but they could never make the shoes. I think design, and craftsmanship is most important element of shoe making. Since my shoes require special parts, it is me with a few other people that make them. This is what makes the shoes interesting and high quality."
Masaya Kushino
Queen. Celebrazione del rapporto tra la figura umana e lo stato della natura.
Esaltazione di una percezione assoluta di bellezza, generata con il nome Queen, un ultimo simbolo di magnificenza, ideato come visione a tratti onirica di un rapporto tra l'unicità visiva dell'ambiente in contrapposizione a quella umana.
Masaya Kushino, concepisce la propria Collezione Fall Winter 2012 2013, seguendo quella che è un attenta ricerca del gusto per la decorazione, che sfocia in una proiezione contemporanea di Design, a tratti scultorea e dal sapore barocco, nella quale vengono omologate tradizione orientale a confronto con quella occidentale, formulando un rapporto d'opposizione tra materiali artificiali a quelli naturali.
Fonte Immagini: Glamour Goddess
Masaya Kushino # Fall Winter 2012 2013
"I tried working with a factory Several times, but They Could never make the shoes. I think design and craftsmanship is most important element of shoe making. Since my shoes require special parts, it is me with A Few Other People That Make Them . This is What Makes the shoes interesting and high quality. " Masaya Kushino
Queen. Celebration of the relationship between the human figure and the state of nature. Exaltation of a perception of absolute beauty, created with the name Queen, a last symbol of magnificence, conceived as a vision sometimes dream of a unique relationship between the visual environment as opposed to that of humans. Masaya Kushino, conceives his Fall Winter Collection 2012 2013, following what is a careful search of the taste for decoration, which results in a projection of contemporary design, sculptural and sometimes baroque flavor, which are approved in the Eastern tradition to compare to the west, making a relationship of opposition between artificial materials to natural ones.
